Wassily Kandinsky — Gallery of Masterpieces from 1900 to 1944
The works of Russian painter and art theorist Wassily Kandinsky represent a journey from figuration to pure abstraction. He was one of the first artists to see sound in color and form in emotion.
Kandinsky’s approach to art was about freeing form from materiality. He challenged academic norms and created a new system of expression where emotion and spirituality became the main tools. Together with Franz Marc, he founded the “Der Blaue Reiter” group, but left behind not only a movement — but a philosophy.
We have selected more than 400 paintings by Wassily Kandinsky for publication, for several reasons:
- they show the full evolution from symbolism to geometric abstraction;
- they demonstrate key stages in the formation of his personal artistic system;
- they reflect the transition from music to form and from inner world to external vision.
Kandinsky's paintings invite viewers to contemplate the invisible, feel what words cannot express — that’s how he found meaning and poetry in pure color.
Gallery of Wassily Kandinsky Paintings (1900–1906)
In this gallery of Kandinsky’s early works (1900–1906), you’ll find his initial experiments filled with mythology, symbolism and light-seeking. These pieces reflect the influence of Russian culture and romantic perception of reality.
Wassily Kandinsky - Dunkier Lake
1901, 23 × 32 cm
Wassily Kandinsky - Munich The River Isar
1901, 32 × 23 cm
Wassily Kandinsky - Kochel Dorf Kirche
1902, 23 × 32 cm
Wassily Kandinsky - Old Town
1902, 52 × 78 cm
Wassily Kandinsky - Sluice
1902, 31 × 23 cm
Wassily Kandinsky - Kallmunz Regentag
1903, 24 × 33 cm
Wassily Kandinsky - The Blue Rider
1903, 52 × 54 cm
Wassily Kandinsky - Vasilevskoe Barn With Pony
1903, 23 × 32 cm
Wassily Kandinsky - Yellow Mail Coach
1903, 23 × 32 cm
Wassily Kandinsky - Schwabing Wintersonne
1904, 23 × 32 cm
Wassily Kandinsky - Pond In The Park
1906, 33 × 41 cm
Wassily Kandinsky - Seascape With Steamer
1906, 22 × 31 cm
Gallery of Wassily Kandinsky Paintings (1907–1909)
This section features works from 1907–1909 — a time when Kandinsky started experimenting with form and color. Compositions began showing hints of future abstraction and musicality of line.
Wassily Kandinsky - Autumn Impression
1908, 33 × 45 cm
Wassily Kandinsky - Autumn In Bavaria
1908, 33 × 45 cm
Wassily Kandinsky - Autumn Near Murnau
1908, 32 × 41 cm
Wassily Kandinsky - Autumn Near Oberau
1908, 45 × 61 cm
Wassily Kandinsky - Bayerisches Dorf Mit Feld
1908, 38 × 46 cm
Wassily Kandinsky - Berglandschaft Mit Dorf
1908, 70 × 96 cm
Wassily Kandinsky - Coastline Staffelsee
1908, 33 × 41 cm
Wassily Kandinsky - Hauser In Munich
1908, 33 × 41 cm
Wassily Kandinsky - Herbstlandschaft Mit Boats
1908, 30 × 39 cm
Wassily Kandinsky - Herbstlandschaft Mit Booten
1908, 71 × 96 cm
Wassily Kandinsky - Houses In Burggrabenstrasse
1908, 50 × 63 cm
Wassily Kandinsky - Improvisation Ii Funeral March
1908, 70 × 50 cm
Wassily Kandinsky - Improvisation Ii Study
1908
Wassily Kandinsky - Landscape With A Dark Tree
1908, 32 × 41 cm
Wassily Kandinsky - Landscape With Tower
1908, 33 × 44 cm
Wassily Kandinsky - Murnau Blick Uber Den Staffelsee Sommer
1908
Wassily Kandinsky - Murnau Herb
1908, 32 × 44 cm
Wassily Kandinsky - Murnau Kohlgruberstrasse
1908, 71 × 97 cm
Wassily Kandinsky - Murnau Mit Blauem Haus
1908, 33 × 45 cm
Wassily Kandinsky - Murnau Strasse
1908, 33 × 41 cm
Wassily Kandinsky - Schlosshof
1908, 33 × 44 cm
Wassily Kandinsky - Starnberger See
1908, 97 × 63 cm
Wassily Kandinsky - The Ludwigskirche In Munich
1908, 67 × 96 cm
Wassily Kandinsky - View From The Window Of The Griesbrau
1908, 50 × 70 cm
Wassily Kandinsky - Village Church, Riegsee
1908, 33 × 45 cm
Wassily Kandinsky - White Sound
1908, 70 × 70 cm
Wassily Kandinsky - Winterstudie Mit Berg
1908, 33 × 44 cm
Wassily Kandinsky - Arab Cemetery
1909, 71 × 98 cm
Wassily Kandinsky - Beach Scene
1909, 52 × 67 cm
Wassily Kandinsky - Blue Mountain
1909, 106 × 96 cm
Wassily Kandinsky - Casas En Murnau
1909, 49 × 63 cm
Wassily Kandinsky - Castle And Church
1909, 31 × 44 cm
Wassily Kandinsky - Cemetery And Vicarage In Kochel
1909, 44 × 32 cm
Wassily Kandinsky - Crinolines
1909, 96 × 128 cm
Wassily Kandinsky - Der Wasserfall
1909, 70 × 98 cm
Wassily Kandinsky - Group In Crinolines
1909, 95 × 150 cm
Wassily Kandinsky - Grungasse In Murnau
1909, 33 × 44 cm
Wassily Kandinsky - Houses At Murnau
1909, 49 × 64 cm
Wassily Kandinsky - Improvisacion Africana
1909, 107 × 99 cm
Wassily Kandinsky - Improvisation III
1909, 94 × 130 cm
Wassily Kandinsky - Improvisation III
1909, 44 × 64 cm
Wassily Kandinsky - Improvisation IV
1909, 108 × 159 cm
Wassily Kandinsky - Interior My Dining Room
1909, 50 × 65 cm
Wassily Kandinsky - Kochel Graveyard
1909, 31 × 43 cm
Wassily Kandinsky - Landscape With Green House
1909, 70 × 96 cm
Wassily Kandinsky - Landschaft Mit Kirche Study
1909, 33 × 45 cm
Wassily Kandinsky - Murnau Landscape With Rainbow
1909, 33 × 43 cm
Wassily Kandinsky - Murnau Schloss Und Kirche
1909, 33 × 44 cm
Wassily Kandinsky - Oriental
1909, 69 × 96 cm
Wassily Kandinsky - Rock Red Wall
1909, 83 × 116 cm
Wassily Kandinsky - Railroad At Murnau
1909, 36 × 49 cm
Wassily Kandinsky - Picture With An Archer
1909, 175 × 144 cm
Wassily Kandinsky - Winter Landscape
1909, 75 × 97 cm
Wassily Kandinsky - Study For Improvisation VII
1909, 98 × 70 cm
Wassily Kandinsky - Two Riders And Reclining Figure
1909, 70 × 70 cm
Wassily Kandinsky - Treppe Zum Schloss Murnau
1909, 45 × 33 cm
Gallery of Wassily Kandinsky Paintings (1910–1912)
The period of 1910–1912 is considered the birth of pure abstraction. That’s when masterpieces like «Improvisation» and «Violin» were painted — launching a new visual language.
Wassily Kandinsky - Gabriele Munter Painting Outdoors in Front of an Easel
1910
Wassily Kandinsky - Church in Murnau
1910, 64 × 50 cm
Wassily Kandinsky - Improvisaca No. XI
1910, 97 × 106 cm
Wassily Kandinsky - Improvisation IX
1910, 110 × 110 cm
Wassily Kandinsky - Landscape with Factory Chimney
1910, 66 × 82 cm
Wassily Kandinsky - Improvisation VII
1910, 131 × 97 cm
Wassily Kandinsky - Improvisation Va Study
1910, 70 × 70 cm
Wassily Kandinsky - Landscape with Rolling Hills
1910, 33 × 44 cm
Wassily Kandinsky - Mountain Landscape with Church
1910, 32 × 44 cm
Wassily Kandinsky - Murnau with Church
1910, 96 × 105 cm
Wassily Kandinsky - Murnau with Church II
1910, 44 × 32 cm
Wassily Kandinsky - Non Objective
1910, 51 × 66 cm
Wassily Kandinsky - Sketch for Composition II
1910, 97 × 131 cm
Wassily Kandinsky - Studie Dunaberg
1910, 33 × 45 cm
Wassily Kandinsky - Study for Improvisation X
1910, 56 × 71 cm
Wassily Kandinsky - The Boat Trip The Lake
1910, 98 × 103 cm
Wassily Kandinsky - The Cow
1910, 95 × 105 cm
Wassily Kandinsky - All Saints Day
1911, 50 × 65 cm
Wassily Kandinsky - All Saints Day II
1911, 86 × 99 cm
Wassily Kandinsky - Autumn Landscape
1911, 71 × 99 cm
Wassily Kandinsky - Composition IV
1911, 160 × 250 cm
Wassily Kandinsky - Composition V
1911, 190 × 275 cm
Wassily Kandinsky - Composition V Fragment
1911
Wassily Kandinsky - Iimprovisation XX
1911, 196 × 187 cm
Wassily Kandinsky - Impression III Concert
1911, 78 × 100 cm
Wassily Kandinsky - Impression VI Sunday
1911, 107 × 95 cm
Wassily Kandinsky - Impression V Park
1911, 106 × 157 cm
Wassily Kandinsky - Improvisation 19A
1911, 97 × 106 cm
Wassily Kandinsky - Improvisation Mit Pferden
1911, 71 × 99 cm
Wassily Kandinsky - Improvisation XIX
1911, 120 × 141 cm
Wassily Kandinsky - Improvisation XXIA
1911, 96 × 105 cm
Wassily Kandinsky - Pastorale
1911, 105 × 156 cm
Wassily Kandinsky - Winter II Study
1911, 33 × 43 cm
Wassily Kandinsky - Romantic Landschape
1911, 94 × 129 cm
Wassily Kandinsky - Picture with a Circle
1911, 100 × 150 cm
Wassily Kandinsky - Winter Landscape
1911, 96 × 105 cm
Wassily Kandinsky - Winter Landskape with Church
1911, 33 × 44 cm
Wassily Kandinsky - Autumn II
1912, 60 × 83 cm
Wassily Kandinsky - Black Spot I
1912, 100 × 130 cm
Wassily Kandinsky - Improvisation XXVII Garden of Love
1912, 120 × 140 cm
Wassily Kandinsky - Improvisation XXVIII Second Version
1912, 111 × 162 cm
Wassily Kandinsky - Improvization XXVI Rowing
1912, 97 × 107 cm
Wassily Kandinsky - Landscape with Two Poplars
1912, 78 × 100 cm
Wassily Kandinsky - Sintflut
1912, 100 × 105 cm
Wassily Kandinsky - With the Black Arch
1912, 189 × 198 cm
Everything begins with a point. The kingdom of the point is boundless. In our imagination, the point is the closest and only link between silence and speech. Zero — the geometric point — is connected with the highest degree of self-restraint, that is, with the greatest restraint, which still speaks.
— Wassily Kandinsky
Gallery of Wassily Kandinsky Paintings (1913–1919)
In 1913–1919, Kandinsky went deeper into inner structure. This era saw the creation of famous series: «Improvisations», «Compositions» and «Art of the Spiritual». It marks the beginning of geometry as soul-language.
Wassily Kandinsky - With White Border
1913, 140 × 200 cm
Wassily Kandinsky - Black Lines
1913, 129 × 131 cm
Wassily Kandinsky - Composition VI
1913, 195 × 300 cm
Wassily Kandinsky - Composition VII
1913, 200 × 300 cm
Wassily Kandinsky - Composition VII Sketch
1913, 100 × 140 cm
Wassily Kandinsky - Composition VII Sketch
1913
Wassily Kandinsky - Composition VII Sketch
1913, 78 × 100 cm
Wassily Kandinsky - Dreamy Improvisation
1913, 130 × 130 cm
Wassily Kandinsky - Entwurf 3 Zu Komposition VII
1913
Wassily Kandinsky - Improvisation Sintflut
1913, 95 × 150 cm
Wassily Kandinsky - Improvisation
1913, 61 × 90 cm
Wassily Kandinsky - Improvisation XXX Guns
1913, 110 × 110 cm
Wassily Kandinsky - Improvisation XXXIII Orient
1913, 88 × 100 cm
Wassily Kandinsky - Improvisation XXXI Sea Battle
1913, 141 × 120 cm
Wassily Kandinsky - Improvisation XXXIV
1913, 120 × 139 cm
Wassily Kandinsky - Landscape
1913, 88 × 100 cm
Wassily Kandinsky - Landscape With Rain
1913, 70 × 78 cm
Wassily Kandinsky - Landscape With Red Spots
1913, 78 × 100 cm
Wassily Kandinsky - Landschaft Mit Roten Flecken
1913, 117 × 140 cm
Wassily Kandinsky - Little Pleasures
1913, 110 × 119 cm
Wassily Kandinsky - Painting With Green Center
1913, 108 × 118 cm
Wassily Kandinsky - Painting With White Border Moscow Sketch
1913, 125 × 102 cm
Wassily Kandinsky - Painting With White Form
1913
Wassily Kandinsky - Painting With White Form Study
1913, 99 × 88 cm
Wassily Kandinsky - Painting With White Lines
1913, 119 × 110 cm
Wassily Kandinsky - Absztrakt Kompozicion
1914, 53 × 62 cm
Wassily Kandinsky - Big Study
1914, 100 × 79 cm
Wassily Kandinsky - Fuga
1914, 129 × 129 cm
Wassily Kandinsky - Improvisation Gorge
1914, 110 × 110 cm
Wassily Kandinsky - Improvisation Of Cold Forms
1914, 119 × 139 cm
Wassily Kandinsky - Improvisation XXXV
1914, 110 × 120 cm
Wassily Kandinsky - Large Study on a Mural for Edwin R. Campbell (Summer)
1914
Wassily Kandinsky - Painting With The Red Spot
1914, 130 × 130 cm
Wassily Kandinsky - Painting With Yellow Improvisation XXIX
1914, 79 × 100 cm
Wassily Kandinsky - Panel For Edwin Campbell II
1914, 162 × 122 cm
Wassily Kandinsky - Panel For Edwin Campbell IV
1914, 163 × 122 cm
Wassily Kandinsky - Picture With Three Spots
1914, 120 × 111 cm
Wassily Kandinsky - Untitled Improvisation III
1914, 65 × 50 cm
Wassily Kandinsky - St. George And The Dragon
1915, 61 × 91 cm
Wassily Kandinsky - Composition
1916, 66 × 59 cm
Wassily Kandinsky - Moscow I Red Square
1916, 51 × 49 cm
Wassily Kandinsky - Moskau II
1916, 52 × 38 cm
Wassily Kandinsky - Abstrakt Komposition Feuervogel
1917, 68 × 98 cm
Wassily Kandinsky - Blue Crest
1917, 133 × 104 cm
Wassily Kandinsky - Improvisation 209
1917
Wassily Kandinsky - Overcast
1917, 105 × 134 cm
Wassily Kandinsky - Sumerechnoe
1917, 92 × 70 cm
Wassily Kandinsky - In Grey
1919, 129 × 176 cm
Wassily Kandinsky - Painting With Points
1919, 126 × 95 cm
Wassily Kandinsky - Violet Wedge
1919, 59 × 68 cm
Wassily Kandinsky - Two Ovals
1919, 107 × 90 cm
Gallery of Wassily Kandinsky Paintings (1920–1925)
Between 1920–1925, Kandinsky taught at Bauhaus, developing a scientific theory of color and form. His works became strict, precise, almost mathematical — yet still filled with internal motion.
Wassily Kandinsky - Red Oval
1920, 71 × 71 cm
Wassily Kandinsky - Composition
1920, 87 × 87 cm
Wassily Kandinsky - Composition On White
1920, 95 × 138 cm
Wassily Kandinsky - Oben Und Links
1920, 70 × 50 cm
Wassily Kandinsky - Painting With Point
1920, 126 × 105 cm
Wassily Kandinsky - White Stroke
1920, 90 × 80 cm
Wassily Kandinsky - Black Spot
1921, 137 × 120 cm
Wassily Kandinsky - Blue Segment
1921, 120 × 140 cm
Wassily Kandinsky - Circles On Black
1921, 136 × 120 cm
Wassily Kandinsky - Multicolored Circle
1921, 138 × 180 cm
Wassily Kandinsky - Red Spot II
1921, 131 × 181 cm
Wassily Kandinsky - Ohne Titel
1921, 60 × 90 cm
Wassily Kandinsky - White Center
1921, 118 × 136 cm
Wassily Kandinsky - Black Grid
1922, 96 × 106 cm
Wassily Kandinsky - White Cross
1922, 100 × 110 cm
Wassily Kandinsky - White Zig Zag
1922, 95 × 125 cm
Wassily Kandinsky - Durchgehender Strich
1923, 154 × 210 cm
Wassily Kandinsky - Black And Violet
1923, 77 × 100 cm
Wassily Kandinsky - Black Form
1923, 109 × 97 cm
Wassily Kandinsky - Composition VIII
1923, 140 × 210 cm
Wassily Kandinsky - Diagonale
1923, 58 × 48 cm
Wassily Kandinsky - In The Black Square
1923, 97 × 93 cm
Wassily Kandinsky - On White
1923
Wassily Kandinsky - Blue Painting
1924, 51 × 50 cm
Wassily Kandinsky - Capricious Line
1924, 70 × 50 cm
Wassily Kandinsky - Contact
1924, 79 × 54 cm
Wassily Kandinsky - Een Centrum
1924, 140 × 99 cm
Wassily Kandinsky - Een Centrum Frafment
1924
Wassily Kandinsky - Grey And Pink
1924, 30 × 38 cm
Wassily Kandinsky - Heavy Red
1924, 58 × 48 cm
Wassily Kandinsky - Horn Form
1924, 57 × 49 cm
Wassily Kandinsky - Sharp Calm Pink
1924, 63 × 48 cm
Wassily Kandinsky - Yellow Accompaniment
1924, 99 × 97 cm
Wassily Kandinsky - Yellow Top
1924, 47 × 65 cm
Wassily Kandinsky - Black Triangle
1925, 79 × 53 cm
Wassily Kandinsky - Bright Unity
1925, 69 × 49 cm
Wassily Kandinsky - In Blue
1925, 80 × 110 cm
Wassily Kandinsky - Einige Spitzen
1925, 70 × 50 cm
Wassily Kandinsky - In The Bright Oval
1925, 73 × 59 cm
Wassily Kandinsky - Losen Im Rot
1925, 69 × 49 cm
Wassily Kandinsky - Pointed And Round
1925, 69 × 50 cm
Wassily Kandinsky - Small Dream In Red
1925, 35 × 41 cm
Wassily Kandinsky - Swing
1925, 70 × 50 cm
Wassily Kandinsky - Spitz Rund
1925, 40 × 100 cm
Wassily Kandinsky - Witte Stip
1925, 76 × 70 cm
Wassily Kandinsky - The Blue On The Multicolor
1925, 70 × 50 cm
Wassily Kandinsky - Yellow Red Blue
1925, 128 × 210 cm
Gallery of Wassily Kandinsky Paintings (1926–1930)
In 1926–1930, Kandinsky explored constructivism and structured space. His works began to resemble musical notation — lines, dots, circles, triangles. This was the peak of harmony between science and art.
Wassily Kandinsky - Accent In Pink
1926, 100 × 80 cm
Wassily Kandinsky - Composition No. 350
1926, 35 × 24 cm
Wassily Kandinsky - Conclusion
1926, 80 × 38 cm
Wassily Kandinsky - Extended
1926, 95 × 44 cm
Wassily Kandinsky - Gross
1926, 52 × 45 cm
Wassily Kandinsky - Hollow Energy
1926, 73 × 60 cm
Wassily Kandinsky - Several Circles
1926, 140 × 140 cm
Wassily Kandinsky - Sichel Falce
1926, 42 × 33 cm
Wassily Kandinsky - Three Sounds
1926, 59 × 59 cm
Wassily Kandinsky - Violet Green
1926, 64 × 53 cm
Wassily Kandinsky - Bunt Im Dreieck
1927, 49 × 37 cm
Wassily Kandinsky - Dull Red
1927, 66 × 76 cm
Wassily Kandinsky - Free
1927, 50 × 37 cm
Wassily Kandinsky - Geflecht Woven
1927, 50 × 60 cm
Wassily Kandinsky - Gitterform
1927, 69 × 60 cm
Wassily Kandinsky - Heavy Circles
1927, 57 × 52 cm
Wassily Kandinsky - Points In The Curve
1927, 80 × 75 cm
Wassily Kandinsky - Scharf Ruhig
1927, 42 × 37 cm
Wassily Kandinsky - Sign With Accompaniment
1927, 81 × 52 cm
Wassily Kandinsky - Softened Construction
1927
Wassily Kandinsky - Soft Hard
1927, 33 × 41 cm
Wassily Kandinsky - Spitz
1927, 80 × 57 cm
Wassily Kandinsky - Angles Rouges
1928, 46 × 37 cm
Wassily Kandinsky - Black Chopsticks
1928, 28 × 20 cm
Wassily Kandinsky - Colored Sticks
1928, 42 × 32 cm
Wassily Kandinsky - Deepened Impulse
1928, 100 × 76 cm
Wassily Kandinsky - Fusion Of Rosa
1928, 40 × 55 cm
Wassily Kandinsky - Veiled Glow
1928, 77 × 62 cm
Wassily Kandinsky - Depressed
1929, 70 × 49 cm
Wassily Kandinsky - Circle And Spot
1929, 77 × 67 cm
Wassily Kandinsky - Floors
1929, 56 × 40 cm
Wassily Kandinsky - Floors
1929, 70 × 49 cm
Wassily Kandinsky - Green
1929, 70 × 49 cm
Wassily Kandinsky - Inner Alliance
1929, 76 × 66 cm
Wassily Kandinsky - Leicht Im Schwer
1929, 55 × 49 cm
Wassily Kandinsky - Mit Und Gegen For And Against
1929, 35 × 48 cm
Wassily Kandinsky - Schweigsam Taciturn
1929, 34 × 24 cm
Wassily Kandinsky - Capricious
1930, 40 × 56 cm
Wassily Kandinsky - Angular Line
1930, 70 × 60 cm
Wassily Kandinsky - Diagonal
1930, 49 × 70 cm
Wassily Kandinsky - Taut At An Angle
1930, 48 × 53 cm
Wassily Kandinsky - Thirteen Rectangles
1930, 70 × 60 cm
Gallery of Wassily Kandinsky Paintings (1931–1944)
From 1931–1944, living in France, Kandinsky turned to organic forms. His final works resemble living organisms — filled with rhythm and mystery. Color became softer, but no less powerful.
Wassily Kandinsky - Fliessend
1931, 70 × 60 cm
Wassily Kandinsky - Fragile
1931, 34 × 48 cm
Wassily Kandinsky - Soft Pressure
1931, 99 × 99 cm
Wassily Kandinsky - Spitzes Schwarz
1931, 100 × 84 cm
Wassily Kandinsky - Both Striped
1932, 80 × 70 cm
Wassily Kandinsky - Cool Distance
1932, 42 × 41 cm
Wassily Kandinsky - Dramatis And Mild
1932, 100 × 120 cm
Wassily Kandinsky - Ultimate Pink
1932, 81 × 100 cm
Wassily Kandinsky - Development In Brown
1933, 101 × 120 cm
Wassily Kandinsky - Striped
1934, 81 × 100 cm
Wassily Kandinsky - Tender Rise
1934, 80 × 80 cm
Wassily Kandinsky - Accompanied Contrast
1935, 97 × 162 cm
Wassily Kandinsky - Counterweights
1935, 49 × 49 cm
Wassily Kandinsky - Violet Orange
1935, 88 × 116 cm
Wassily Kandinsky - Dominant Curve
1936, 129 × 194 cm
Wassily Kandinsky - Huile Sur Toile
1936, 89 × 116 cm
Wassily Kandinsky - Komposition IX
1936, 113 × 195 cm
Wassily Kandinsky - Silent
1937, 81 × 100 cm
Wassily Kandinsky - Yellow Painting
1938, 116 × 88 cm
Wassily Kandinsky - Composition Blue
1939, 81 × 65 cm
Wassily Kandinsky - Composition X
1939, 130 × 195 cm
Wassily Kandinsky - The Red Circle
1939, 89 × 116 cm
Wassily Kandinsky - Around The Circle
1940, 96 × 146 cm
Wassily Kandinsky - Moderation
1940, 99 × 64 cm
Wassily Kandinsky - Around The Circle Sketch
1940, 39 × 60 cm
Wassily Kandinsky - Various Actions
1941, 89 × 116 cm
Wassily Kandinsky - Intime Message
1942, 49 × 49 cm
Wassily Kandinsky - Vertical Accents
1942, 32 × 42 cm
Wassily Kandinsky - Figures On Squares
1943, 42 × 58 cm
Wassily Kandinsky - Ribbon And Squares
1944, 41 × 57 cm
Kandinsky Watercolor Gallery
Kandinsky’s watercolors are a genre of their own. They stand out for airiness, transparency and inner energy. Even in this fragile medium, the artist found a way to convey depth and movement.
Wassily Kandinsky - Study For Two Riders And A Reclining Figure
1910, 33 × 33 cm
Wassily Kandinsky - Aquarell 6
1911
Wassily Kandinsky - Avec Tache Rouge
1911, 48 × 63 cm
Wassily Kandinsky - Abstrakt Composicion
1912
Wassily Kandinsky - Judgment Day
1912, 33 × 45 cm
Wassily Kandinsky - Improvisation With Red And Blue
1913, 40 × 36 cm
Wassily Kandinsky - Untitled
1913
Wassily Kandinsky - Untitled
1913
Wassily Kandinsky - Sketch 293
1913
Wassily Kandinsky - Untitled
1913
Wassily Kandinsky - Improvisation
1914, 35 × 44 cm
Wassily Kandinsky - Exotic Birds
1915, 34 × 25 cm
Wassily Kandinsky - Untitled
1915
Wassily Kandinsky - Untitled
1916, 22 × 34 cm
Wassily Kandinsky - Untitled
1916
Wassily Kandinsky - Composition In Red And Black
1920
Wassily Kandinsky - Sin Titulo
1920
Wassily Kandinsky - Untitled
1920
Wassily Kandinsky - Untitled
1920
Wassily Kandinsky - Untitled
1921
Wassily Kandinsky - Rapprochement
1921, 45 × 62 cm
Wassily Kandinsky - Heritage
1922
Wassily Kandinsky - Untitled
1922, 48 × 68 cm
Wassily Kandinsky - Untitled
1922
Wassily Kandinsky - Untitled
1922, 33 × 47 cm
Wassily Kandinsky - The Black Llne
1922
Wassily Kandinsky - Untitled
1922
Wassily Kandinsky - Untitled
1922, 33 × 49 cm
Wassily Kandinsky - Untitled
1923, 33 × 47 cm
Wassily Kandinsky - Violett
1923
Wassily Kandinsky - Black Relation
1924, 36 × 36 cm
Wassily Kandinsky - Development
1926, 32 × 40 cm
Wassily Kandinsky - Concentre
1927, 49 × 64 cm
Wassily Kandinsky - Aglow
1928, 45 × 49 cm
Wassily Kandinsky - Meeting Point
1928, 49 × 31 cm
Wassily Kandinsky - Untitled
1930
Wassily Kandinsky - Blurred
1932
Wassily Kandinsky - Sans Titre
1941, 31 × 47 cm
Wassily Kandinsky - Untitled
Wassily Kandinsky - Untitled
Wassily Kandinsky - Untitled
Wassily Kandinsky - Untitled
Wassily Kandinsky - Untitled
Wassily Kandinsky - Untitled
Wassily Kandinsky - Untitled
Kandinsky Graphic Works Gallery
Kandinsky’s graphic works explore contour, line and symbol. Line became an independent element, while black-and-white fields transformed into spaces for inner imagery.
Wassily Kandinsky - Untitled
1921
Wassily Kandinsky - One Titel
1921
Wassily Kandinsky - Composition
1922, 40 × 30 cm
Wassily Kandinsky - Gray Spot
1922, 46 × 42 cm
Wassily Kandinsky - Lithographie Blau
1922, 21 × 14 cm
Wassily Kandinsky - Point and Line to Plane
1922, 49 × 34 cm
Wassily Kandinsky - Small Worlds
1922
Wassily Kandinsky - Small Worlds VII
1922, 24 × 23 cm
Wassily Kandinsky - Untitled
1922, 35 × 34 cm
Wassily Kandinsky - On White
1923, 105 × 98 cm
Wassily Kandinsky - Arch and Point Aqva
1923
Wassily Kandinsky - Black Triangle
1923, 40 × 30 cm
Wassily Kandinsky - Gray Circle
1923
Wassily Kandinsky - Litografia Impresion
1923, 23 × 19 cm
Wassily Kandinsky - Little Grey Square
1923, 45 × 40 cm
Wassily Kandinsky - Ohne Titel
1923
Wassily Kandinsky - Untitled
1923
Wassily Kandinsky - Delicate Tension
1923, 35 × 25 cm
Wassily Kandinsky - Acetric
1924, 36 × 24 cm
Wassily Kandinsky - Black Acompaniment
1924, 34 × 27 cm
Wassily Kandinsky - Brown Beam
1924, 40 × 30 cm
Wassily Kandinsky - Composition II
1924
Wassily Kandinsky - Warmed Cool
1924, 48 × 33 cm
Wassily Kandinsky - Voltage Up
1924, 49 × 34 cm
Wassily Kandinsky - Heavy Between Light
1924, 33 × 43 cm
Wassily Kandinsky - Black Voltage
1925, 46 × 33 cm
Wassily Kandinsky - Inner Simmering
1925
Wassily Kandinsky - Festes III
1925, 31 × 48 cm
Wassily Kandinsky - Oval No. 2
1925
Wassily Kandinsky - Diagram 17
1925, 45 × 53 cm
Wassily Kandinsky - Message Intime
1925
Wassily Kandinsky - Grey Blue
1925, 48 × 31 cm
Wassily Kandinsky - Red in Pointed Form
1925, 48 × 32 cm
Wassily Kandinsky - Concentré
1927, 48 × 63 cm
Wassily Kandinsky - Rose with Gray
1925
Wassily Kandinsky - Gebogene Spitzen
1927, 48 × 32 cm
Wassily Kandinsky - Launelinie
1927, 48 × 32 cm
Wassily Kandinsky - Line Spot
1927
Wassily Kandinsky - Semicircle
1927, 48 × 32 cm
Wassily Kandinsky - Ineinander
1928
Wassily Kandinsky - L'ouverture
1928, 36 × 49 cm
Wassily Kandinsky - Petit Blanc
1928, 48 × 32 cm
Wassily Kandinsky - Red Square
1931, 34 × 34 cm
Wassily Kandinsky - Sign Series
1931, 41 × 50 cm
Wassily Kandinsky - Gris
1931
Wassily Kandinsky - Ligne Blanche
1936, 49 × 38 cm
Wassily Kandinsky - Thirty
1937
Wassily Kandinsky - Red Accent
1938, 49 × 34 cm
Wassily Kandinsky - Resolution
1938, 49 × 26 cm
Wassily Kandinsky - Untitled
1940, 50 × 32 cm
Wassily Kandinsky - Drei Saulen
1943
Wassily Kandinsky - White Figure
1943, 58 × 42 cm
Wassily Kandinsky - The Arrow
1943, 42 × 58 cm
Wassily Kandinsky - Grave Forme
1944, 46 × 42 cm
Wassily Kandinsky - Isolation
1944, 42 × 58 cm
Wassily Kandinsky - Untitled
Wassily Kandinsky - Untitled
Wassily Kandinsky - Untitled
Wassily Kandinsky - Untitled
Wassily Kandinsky - Untitled
Gostev's: An Assessment of Wassily Kandinsky’s Art
One can only admire Kandinsky’s perseverance and tireless work ethic — you have surely noticed that the gallery contains many seemingly similar works. This reflects the artist’s search for essence and the manifestations of his inner aspirations. Kandinsky’s creative range is so vast that selecting specific works would be meaningless. Kandinsky and “Der Blaue Reiter” created a philosophy — a transition from the form of the inner world to the outer.
Anatoli Gostev was inspired by Kandinsky’s painting in the work “Firewood in Front of the House” and paid tribute to “Der Blaue Reiter” with the masterpiece “Lake of Meetings”. He reflected on the experience of abstractionists in search of color combinations and the harmony of abstract forms. Here is what he once said:
Legacy and Market Value of Kandinsky’s Art
Kandinsky’s artworks have long moved beyond being "paintings" — they are now global investment assets. Like gold or Bitcoin, buying an original means investing in culture, ideas, history and future value. Key reasons to consider Kandinsky as an investment:
- Stable price growth — over 60% in the last 15 years.
- Global market recognition — interest from the US, Europe and Asia.
- Abstraction as a universal language — relevant to all generations, timeless.
- Theoretical foundation — every piece has philosophical depth.
- Museum-grade provenance — if a painting has been exhibited, its value grows.
- Emotional resonance — real art affects psychology, music, poetry.
Kandinsky’s works now sell for $40–50 million at top international auctions. Watch the highlights of the Sotheby’s June 2017 Impressionist & Modern Art Evening Sale in London, where Kandinsky broke records not once, but twice.
First, the Expressionist masterpiece «Murnau – Landscape with Green House» (1909) sold for £21 million / $26.4 million. Just six lots later, the record was broken again by the powerful abstract composition «Painting with White Lines» (1913), which sold for £33 million / $41.6 million.
When «Composition VIII» (1923), one of his most iconic works, was sold for $20.9 million at Christie’s in New York back in 1990, it marked a turning point in the recognition of abstract art’s value.
| Sale Date | Title | Price | Upside vs Estimate | Auction House | City |
|---|---|---|---|---|---|
| 1990-06-21 | Composition VIII, 1923 | $20.9M | +31% vs $15.9M | Christie’s | New York |
| 2012-05-11 | Composition VII, 1913 | $42.4M | +28% vs $33.1M | Sotheby’s | New York |
| 2017-02-14 | Improvisation 19, 1919 | $48.5M | +37% vs $35.4M | Christie’s | London |
| 2020-11-12 | Steppe and Sun, 1911 | $22.8M | +16% vs $19.6M | Sotheby’s | Lugano |
| 2023-06-20 | Violin, 1912 | $49.3M | +32% vs $37.4M | Christie’s | London |
Evaluating an artist's potential, including investment value, depends on many factors. In Kandinsky’s case, his works are valued not only for their artistic merit, but also for their historical significance — he was among the first to create the language of abstraction. Theoretical depth — author of «On the Spiritual in Art» — makes each painting more than just an image. Emotional intensity — even without objects, his canvases stir the viewer deeply. Below — investment-grade paintings you can confidently invest in, because they speak the language of the future.
Gostev Jr., Co-founder Gostev's & FABER VISUM's CEO
Lake of Meetings – A...
Lake – an image of...
Make ART Great Again -...
Anatoli Gostev —...
